Choosing and configuring a render pipeline and lighting solution

This guide is an updated version of the following Unity blog post: Spotlight Team Best Practices: Setting up the Lighting Pipeline - Pierre Yves Donzallaz.

Definitions

First, let’s go through the definitions of several important graphics renderingThe process of drawing graphics to the screen (or to a render texture). By default, the main camera in Unity renders its view to the screen. More info
See in Glossary terms that you will encounter frequently in this article.

• A render pipeline determines how the objects in your sceneA Scene contains the environments and menus of your game. Think of each unique Scene file as a unique level. In each Scene, you place your environments, obstacles, and decorations, essentially designing and building your game in pieces. More info
  See in Glossary are displayed, in three main stages.
  • The first step is culling; it lists the objects that need to be rendered, preferably the ones visible to the cameraA component which creates an image of a particular viewpoint in your scene. The output is either drawn to the screen or captured as a texture. More info
    See in Glossary (frustum culling) and unoccluded by other objects (occlusion cullingA feature that disables rendering of objects when they are not currently seen by the camera because they are obscured (occluded) by other objects. More info
    See in Glossary).
  • The second stage, rendering, is the drawing of these objects, with the correct lighting and some of their properties, into pixel-based buffers.
  • Finally, post-processingA process that improves product visuals by applying filters and effects before the image appears on screen. You can use post-processing effects to simulate physical camera and film properties, for example Bloom and Depth of Field. More info post processing, postprocessing, postprocess
    See in Glossary operations can be carried out on these buffers, for instance applying color grading, bloom and depth of fieldA post-processing effect that simulates the focus properties of a camera lens. More info
    See in Glossary, to generate the final output frame that is sent to a display device.

These operations are repeated many times a second, depending on the frame rate.

• A ShaderA program that runs on the GPU. More info
  See in Glossary is a generic name for a program, or a collection of programs, running on the Graphics Processing Unit (GPU). For instance, after the culling stage is completed, a Vertex ShaderA program that runs on each vertex of a 3D model when the model is being rendered. More info
  See in Glossary is used to transform the vertex coordinates of the visible objects from “object space” into a different space called “clip space”; these new coordinates are then used by the GPU to rasterize the scene, i.e. convert the vectorial representation of the scene into actual pixels. At a later stage, these pixels will be colored by pixelThe smallest unit in a computer image. Pixel size depends on your screen resolution. Pixel lighting is calculated at every screen pixel. More info
  See in Glossary (or fragment) shaders; the pixel color will generally depend on the material properties of the respective surface and the surrounding lighting. Another common type of shader available on modern hardware is Compute Shaders: they allow programmers to exploit the considerable parallel processing power of GPUs for any kind of mathematical operations, such as light culling, particle physics, or volumetric simulation.
• Direct lighting refers to lighting which originates from a self-emitting source of light, such as a light bulb, and isn’t the result of light bouncing off a surface. Depending on the size of the light source and its distance to the receiver, such lighting typically produces clear distinct shadows.
  • Direct lighting should not be confused with directional lighting, which is light emitted by an infinitely-distant light source (e.g. the computer-simulated sun). The noticeable properties of a directional light are the ability to cover the entire scene with parallel light rays, and the lack of distance falloff (or light decay); that is, the amount of lighting received does not decay as the distance to the light source increases.
  • In reality, the sunlight, like any other source of light, falls off over distance, based on the inverse-square law. Simply put, the amount of received light drops very quickly when increasing the distance between the receiver and the light source. For example, the illuminance on Mercury is almost 7 times higher than on Earth, and Mars receives nearly half of Earth’s sunshine, whereas Pluto enjoys a mere 0.06%. Nevertheless, for most real-time applications with a very limited altitude range, the sunlight decay is insignificant. Therefore, the directional light is perfectly adequate to simulate sunlight in most Unity scenes, including large, planet-centric, open worlds.
• Indirect lighting results from light bouncing off surfaces and being transmitted and scattered through a medium, such as the atmosphere or translucent materials. Under these conditions, occluders generally cast soft or indiscernible shadows.
• Global illuminationA group of techniques that model both direct and indirect lighting to provide realistic lighting results. Unity has two global illumination systems that combine direct and indirect lighting.: Baked Global Illumination, and Realtime Global Illumination.
  See in Glossary (GI) is a group of techniques that model both direct and indirect lighting to provide realistic lighting results. There are several methods for GI, such as baked/dynamic lightmapsA pre-rendered texture that contains the effects of light sources on static objects in the scene. Lightmaps are overlaid on top of scene geometry to create the effect of lighting. More info
  See in Glossary, irradiance volumes, light propagation volumes, baked/dynamic light probes, voxel-based GI, and distance field-based GI. Out of the box, Unity supports baked/dynamic lightmaps and light probes.
• A lightmapperA tool in Unity that bakes lightmaps according to the arrangement of lights and geometry in your scene. More info
  See in Glossary is the underlying system that generates the data for the lightmaps and light probes by shooting light rays, calculating the light bounces, and applying the resulting lighting into textures. Different lightmappers will therefore often produce different lighting looks, as they might rely on different techniques to produce the lighting data.

Overview

The following flowchart provides a high-level perspective of the entire lighting pipeline in Unity, from the point of view of a content creator.

You start by selecting a render pipeline. Then you decide how the indirect lighting is generated and pick a Global Illumination system accordingly. After you’ve made sure all the global lighting settings are tuned appropriately for your project, you can continue adding Lights, Emissive Surfaces, Reflection ProbesA rendering component that captures a spherical view of its surroundings in all directions, rather like a camera. The captured image is then stored as a Cubemap that can be used by objects with reflective materials. More info
See in Glossary, Light ProbesLight probes store information about how light passes through space in your scene. A collection of light probes arranged within a given space can improve lighting on moving objects and static LOD scenery within that space. More info
See in Glossary, and Light Probe Proxy Volumes (LPPVs). Detailing the usage and features of all these lighting objects is beyond the scope of this article, therefore I encourage you to read the Lighting section of the manual to learn how to utilize them correctly in your projects.

Render pipelines

Until early 2018, only one render pipeline was available in Unity; the Built-In Render Pipeline. This render pipeline offers a choice of rendering pathsThe technique Unity uses to render graphics. Choosing a different path affects the performance of your game, and how lighting and shading are calculated. Some paths are more suited to different platforms and hardware than others. More info
See in Glossary: forward, and deferred.

• When using the (multi-pass) forward rendering path, all objects in the scene are rendered one by one sequentially, potentially in multiple passes, depending on the number of lights affecting each object, thus the rendering cost can dramatically increase when objects are lit by multiple lights. This type of renderer commonly offers a wide variety of shaders and can handle transparency easily.
• When using the deferred rendering path, all the (opaque) geometries are first rendered into buffers that store information about their materials (color, specular, smoothness, etc.). In a later pass (hence “deferred”), each pixel is shaded sequentially: the rendering time will depend mainly on the number of lights affecting each pixel. The transparent objects, and certain objects with complex shaders, will still require additional forward renderingA rendering path that renders each object in one or more passes, depending on lights that affect the object. Lights themselves are also treated differently by Forward Rendering, depending on their settings and intensity. More info
  See in Glossary passes. Deferred rendering is usually recommended when dealing with scenes containing many dynamic lights, such as artificially lit interiors or projects with a combination of outdoor and indoor lighting.

In January 2018, Unity unveiled the Scriptable Render Pipeline (SRP), which allows you to customize the rendering loop via C# scripting. This is actually a minor revolution in the realm of game engines: users are finally able to personalize the culling of objects, their drawing, and the post-processing of the frame without having to use a low-level programming language like C++.

Unity currently provides two pre-built SRPs:

• The High-Definition Render Pipeline (HDRP) is a hybrid deferred/forward tile/cluster renderer. It offers advanced rendering and shading features and is designed for PC and advanced console projects that require a high degree of visual fidelity.

A tile is a small 2-dimensional square pixel section of the frame, and a cluster is a 3-dimensional volume inside the camera frustum. Both the tile and cluster rendering techniques rely on the listing of the lights affecting every single tile and cluster, whose lighting can then be computed in one single pass with the corresponding list of known lights. Opaque objects will most likely be shaded using the tile system, whereas transparent ones will rely on the cluster system. The main advantage is faster processing of the lighting and the considerable reduction in bandwidth consumption compared to the Built-In Render Pipeline (deferred), which depends on much slower multi-pass light accumulation.

• The Universal Render Pipeline (URP) is a fast single-pass forward renderer; it has been designed primarily for lower-end devices lacking support for compute shader technology, such as older smartphones, tablets and XRAn umbrella term encompassing Virtual Reality (VR), Augmented Reality (AR) and Mixed Reality (MR) applications. Devices supporting these forms of interactive applications can be referred to as XR devices. More info
  See in Glossary devices. However, URP can also deliver higher-quality graphics for midrange devices such as consoles and PC, sometimes for a lower performance cost than the Built-In Render Pipeline. The lights are culled per-object and allow for the lighting to be computed in one single pass, which results in reduced draw calls compared to the Built-In Render Pipeline. Finally, URP also offers a 2D Renderer, and a Deferred renderer is planned.

You can use the following decision chart to quickly find out which render pipeline you should select based on a few critical criteria.

Setup

You can download the latest versions of HDRP and URP via the Unity Package Manager (Window > Package Manager). The easiest way to get started with one of these SRPs is to create a new project with the Unity Hub and use one of the corresponding templates.

If you want to set up your project for HDRP, ensure you have the required package installed. Then use the HD Render Pipeline Wizard (Window > Render Pipeline > HD Render Pipeline Wizard) to set up your project in one click.

Extensibility

If you have some rendering knowledge, are familiar with C#, and need to fully tailor the renderer for your Project, you can experiment with the SRP concept to create your own Custom Scriptable Render Pipeline. The Universal Render Pipeline is especially easy to extend, due to its smaller shader library and the ability to inject, remove and swap rendering passes rapidly.

Compatibility

Porting your project’s materials from the Built-In Render Pipeline to HDRP or to URP is relatively easy in Unity, thanks to a 1-click material converter under Edit > Render Pipeline > Upgrade…. Note that it is a non-reversible action. Backing up your project beforehand is highly recommended!

Nevertheless, custom shaders will have to be ported by hand, so transitioning from the Built-In Render Pipeline to HDRP or URP during production might be time-consuming, depending on the number of custom shaders you would have to rewrite.

Additionally, because the HDRP is more physically correct than the Built-In Render Pipeline, especially regarding light attenuation and distribution, you should not expect your project to look identical after switching to HDRP.

Furthermore, HDRP and URP are not cross-compatible, as they do not share the same rendering features. Porting your project from HDRP to URP and vice versa is possible, but it is not a 1-click operation and will require manual rework of the lighting, the materials, and the shaders!

Global Illumination systems

If you want to include indirect lighting in your Scene, you must use one of Unity’s two Global Illumination systems, or generate it using your own baking solution. The two systems available in Unity, under Window > Rendering > Lighting Settings, are:

1. Realtime Global Illumination: This system entirely relies on EnlightenA lighting system by Geomerics used in Unity for lightmapping and for Realtime Global Illumination. More info
   See in Glossary, a third-party lighting middleware. During the precomputation in Unity, Enlighten goes through two lengthy stages, among others: Clustering and Light Transport. The first one consists in simplifying the scene into a collection of surface patches called clusters, and the second, in calculating the visibility between these clusters. This precomputed data is used at runtime to generate the indirect lighting interactively. The strength of Enlighten relies on the ability to edit the lighting in realtime, as the precomputed data relies on the relationship between clusters. However, like in other traditional lightmapping techniques, editing the static geometries in your scene will trigger a new precomputation. HDRP and URP do not support this feature in 2019.4, but the Built-In Render Pipeline does.

2. Baked Global Illumination: When you use this system, Unity bakes lighting data into textures called lightmaps, and into Light Probes and into reflection probes. There are two lightmappers: Enlighten Baked Global Illumination and the Progressive Lightmapper (CPU or GPU). HDRP does not support this feature, but URP and the Built-In Render Pipeline do.

The Progressive Lightmapper can prioritize the computation of the lighting for objects visible to the camera and greatly speed up the iteration on the lighting, at the cost of increasing the overall baking time for the entire scene. The Progressive Lightmapper uses the CPU to calculate the indirect lighting using path tracing. A new GPU Progressive Lightmapper is currently in preview, and will radically reduce the baking time for your scenes.

Because both Enlighten and the Progressive Lightmapper use different methods to produce the baked lighting, you should not expect the resulting lighting to match exactly when comparing them.

Have a look at the diagram below to decide which Global Illumination system is recommended for your project, as well as its main advantages and disadvantages.

Static versus Dynamic

No matter which Global Illumination system you use, Unity will only consider objects that are marked as “Contribute GI” during the baking/precomputing of the lighting. Dynamic (i.e. non-static) objects have to rely on the Light Probes you placed throughout the scene to receive indirect lighting.

Because the baking/precomputing of the lighting is a relatively slow process, only large and complex assets with distinct lighting variations, such as concavity and self-shadowing, should be tagged as “Contribute GI”. Smaller and convex meshes that receive homogeneous lighting should not be marked as such, and they should, therefore, receive indirect lighting from the Light Probes which store a simpler approximation of the lighting. Larger dynamic objects can rely on LPPVs, in order to receive better localized indirect lighting. Limiting the number of objects tagged as “Contribute GI” in your scene is absolutely crucial to minimize baking times while maintaining an adequate lighting quality. You can learn more about this optimization process and the importance of Probe lighting in this tutorial.

Warning

Unity allows both the Baked and Realtime GI systems to be active simultaneously, which gives you access to all lighting features. However, you must be warned that enabling both systems greatly increases the baking time and the memory usage at runtime because these systems do not rely on the same data sets. Furthermore, the interactive update of the indirect lighting at runtime will put additional strain on the CPU, and you can expect discrepancies when visually comparing the indirect lighting provided by the Baked and the Realtime GI systems, as they rely on different techniques to simulate the indirect lighting and often operate at significantly different resolutions.

You should restrict the usage of both GI systems to high-end platforms and/or to projects that have tightly controlled scenes with predictable costs. This approach should only be used by expert users who have a very good understanding of all lighting settings because managing both systems adds great complexity. Consequently, picking one of the two GI systems is usually a safer strategy for most projects. Using both systems is rarely recommended!

Light Modes

The Mode property of a Light component is a common source of confusion.

There are three Light ModesA Light property that defines the use of the Light. Can be set to Realtime, Baked and Mixed. More info
See in Glossary available in the Light Inspector:

1. Baked: The direct and indirect lighting from these lights is baked into lightmaps, which can be a time-consuming process. There is no runtime cost to process these lights, however applying the resulting lightmaps to the scene does have a minor cost.
2. Realtime: The direct lighting and shadows from these lights are real-time and therefore not baked into lightmaps. Their runtime cost can be high, depending on the complexity of the scene, the number of shadow casting lights, the number of overlapping lights, etc. Furthermore, if you enable Realtime Global Illumination, further performance costs will be incurred to update the indirect lighting at runtime.
3. Mixed: This is a hybrid mode that offers a mix of baked and real-time features, such as baked indirect lighting and real-time direct lighting. The behavior of all Mixed lights in your Scene and their performance impact depends on the Lighting Mode for that Scene.

It is very important to note that the mode of a light is only relevant if the Baked Global Illumination system is enabled. If you do not use any GI system or only use the Realtime GI system, then all Baked and Mixed lights will behave as though their Mode property was set to Realtime.

The following diagram combines a decision flowchart with a comparison table; it can help you decide which light mode is appropriate every time a new light is added into the scene.

Lighting Modes

As you can see in the previous diagram, all Mixed Lights in a Scene have specific baked and real-time capabilities, depending on the Lighting Mode that you picked in the Lighting window.

There are three modes to choose from:

1. Subtractive
2. Baked Indirect
3. Shadowmask

Shadowmask Lighting Mode has two quality settings:

1. Shadowmask
2. Distance Shadowmask

When using HDRP’s Shadowmask Lighting Mode, the ShadowmaskA Texture that shares the same UV layout and resolution with its corresponding lightmap. More info
See in Glossary feature is enabled in the HDRP Asset assigned in the Graphics settings; it then has to be activated specifically for your camera(s) via the Frame Settings.

Render pipeline comparison table

The following table gives you a general overview of the features supported by each Render Pipeline in Unity 2019.3.

Lighting scenarios

Now that we have introduced the render pipelines and the main lighting features, let’s have a look at a few examples of projects and see which settings could be used to light them. Since every project is unique, you might use slightly different options based on your requirements.

1. Prototype or quick previsualization

If you rely heavily on the Asset StoreA growing library of free and commercial assets created by Unity and members of the community. Offers a wide variety of assets, from textures, models and animations to whole project examples, tutorials and Editor extensions. More info
See in Glossary to build your prototype, the Built-In Render Pipeline could be the only suitable render pipeline, as most assets found on the Store are not fully compatible with HDRP and URP; nonetheless, asset compatibility will improve over time. If you are building all the assets from the ground up and already have a clear idea of your project’s requirements, then you could pick one of the two SRPs (i.e. URP or HDRP) or even create a custom one.

When you are in the early stage of (pre-)production and need a quick turnaround and maximum flexibility for the lighting, you might prefer a full real-time approach that does not require any precomputation, therefore you might want to turn off both the Baked and Realtime GI systems. To alleviate the lack of proper indirect lighting, you can enable Screen Space Ambient OcclusionA method to approximate how much ambient light (light not coming from a specific direction) can hit a point on a surface.
See in Glossary: it can help ground the object in the scene by offering cheap real-time contact shadows.

2. 3D Mobile strategy game

If you are targeting mobile devices, URP could be a great candidate to ensure solid performance for your strategy game. If the rendering pipeline needs to be customized to better suit your game, a graphics programmer will probably find extending URP straightforward. If you pick URP and use Baked Global Illumination, be aware that at the moment, the Shadowmask Mixed Lighting Mode is not supported.

Alternatively, if you decide to stick to the Built-In Render Pipeline because, for example, you rely on many assets from the Asset Store, all Mixed Lighting modes are supported. In this case, an approach with the Shadowmask Lighting Mode will provide baked shadows while still allowing dynamic objects to cast real-time shadows. If Shadowmasks are too expensive for your project, you can fall back to the cheapest Subtractive mode. Finally, the forward rendering path is probably the best option if you have a very small number of lights in your level(s), and if you’re targeting older hardware.

3. AAA corridor shooter (fixed time of day)

If you are aiming for AAA-quality visuals on PC and consoles for your linear first-person shooter, HDRP should be the preferred render pipeline. Again, with the help of graphics programmers, a custom SRP could also be developed.

If your levels contain many real-time shadow casting lights (e.g. destructible light props and moving lights), then using the Baked GI system with the Baked Indirect mode should ensure you get great looking indirect lighting from the Mixed directional light and the Baked lightsLight components whose Mode property is set to Baked. Unity pre-calculates the illumination from Baked Lights before runtime, and does not include them in any runtime lighting calculations. More info
See in Glossary in static light props. If your levels consist of a larger proportion of fixed shadow casting lights, then an approach with Shadowmasks could be recommended because HDRP offers a great hybrid Shadowmask mode which gives you more control over the blend between real-time and baked shadows.

If you also plan to support the Nintendo Switch, then using URP would be recommended, so that you can support most gaming platforms on the market and not having to go through the potentially tedious process of porting your project from HDRP to URP, or vice versa.

4. Battle Royale (day-night cycle)

If you plan to release a battle royale game for PC and consoles, that features large-scale environments and fully dynamic lighting, you should select HDRP, or extend it to tailor the rendering pipeline to your project. You could consider URP if you are not aiming for AAA visual fidelity and are targeting mobile devices or systems with lower specifications.

In order to accommodate for the day-night cycle, as HDRP and URP do not support the Realtime Global Illumination system (Enlighten) in 2019.4: the day-night cycle would have to be handled with an Indirect Bake and a custom script that would, for instance, modulate the sun and indirect light intensity throughout the day.

For this particular scenario, if you are using the Built-in Render Pipeline, activating both the Realtime GI and the Baked GI systems is not recommended, because the resulting overhead in terms of performance and scene management for an immense level could be critical. Another argument against the use of both GI systems is the unpredictable nature of such large-scale multiplayer games: performance estimations are for instance more difficult than in a highly-scripted linear level.

Final words

The rendering landscape has changed radically in Unity over the past few years, thanks to the introduction of the Scriptable Render Pipelines. Therefore, keeping up with all these changes and their implications for the lighting pipeline can be exhausting.

Hopefully, this guide and its many illustrations have given you a better understanding of the capabilities of each Render Pipeline so that you can confidently start your projects in Unity with the appropriate rendering and lighting settings!

You can learn more about the lighting in Unity and the rendering pipelines with the following pages:

• Introduction to Lighting and Rendering tutorial
• Use the Unity Hub to get started with HDRP, URP or the Built-in Render Pipeline
• Creating Believable Visuals tutorial (Built-in Render Pipeline)
• Universal Render Pipeline documentation
• High-Definition Render Pipeline documentation